How do you write a review of a performance dance group that wears Viking costumes, uses bones to play their drums, and has pyrotechnics so badass that I could feel them twenty rows back in the audience? I was clapping so hard during Vakali’s performance at the National Palace of Culture (NDK) in Sofia last week that my hands still hurt?
As you drive into the village of Gela in southern Bulgaria a sign informs you that this is the birthplace of Orpheus, the legendary Thracian musician and poet. I’m not sure if it’s true, but who wouldn’t be able to “charm all living things and even stones” with their music if they were born in a village with such a view? These are the Rhodope Mountains in the golden afternoon sunlight of early spring.
Ligatures for “ль” and “нь” are unique to the Cyrillic alphabets of several Slavic languages in Southeastern Europe. We don’t have them in Bulgarian, so I can remember being confused the first time I saw them in Serbia. My confusion turned into fascination once I realized that their construction fused two characters that I knew how to use into one that we simply don’t have. You can see љ (Lje) on this road sign for Жељуша in Serbia (with the Serbo-Croatian Latin representation below it):